Your Beat Kicks Back Like Death by Scout Niblett, covered by Jens Lekman (SC101)
Archive for January, 2012
Beyond Between Good and Evil
January 31, 2012- “Adults have to deal with moral grey areas”
- “I’m not liberal or conservative, I guess I’m somewhere in the middle”
- “It may be helpful to think of data science and business intelligence as being on two ends of the same spectrum” (source)
- “On a sliding scale from 1 to 10, how happy are you with life?”
- “[S]cientific bias…is a model for separating plausible hypotheses from their opposite.” (source)
- Please rate your attitude toward the following statements from “strongly agree” to “strongly disagree”.
- How did you like that book, movie, play, album? Please answer anywhere between ★ and ★★★★★.
- “The truth lies somewhere in between”
People talk about “grey areas” as if [0,1] is so much more sophisticated than {0,1}. I find such rhetoric limiting. After all, the convex combinations of black and white are totally ordered, completely linear, and only one-dimensional! A painting in B&W couldn’t display much variation. (Not that it couldn’t be interesting.) We deal everyday with things more complicated than “a grey area” because the world is 3-D and colour is Lab (3-D nonlinear). Add in texture and smell and you’ve increased the psychological dimensionality manyfold.
The metaphor is insufficiently rich. Adult situations don’t fall on a straight line. Political viewpoints don’t sit neatly next to each other in 1-D. Moral ambiguity is certainly more colourful and convoluted than the path from #000000
to #FFFFFF
.
Me, I’m more interested in 2.7-dimensional hornspheres, quartz crystal spires, hot-air balloons with a row of golden rings piercing the spine, and quasi-polar negatively bent inside-out torii-cum-logcabins. Or even just something as “pedestrian” as a mountaintop pine forest, which is already much more intricate than, cough cough, the unit interval [0,1].
So—back to my original point—I think moral ambiguity resembles a cell complex more than a line segment. Real situations—the layered tragedies, ironies, comedies, and lengthy mediocrities that desirous, egocentric humans instinctively generate—have a much more interesting shape than “the span between 0 and 1.”
I guess I shouldn’t be so critical. The people using the grey-area metaphor probably don’t avail themselves of the whimsical thought-gardens in which more exciting shapes live. Sorry there, I was just feeling constricted.
I hope you’ve enjoyed these drawings by Robert Ghrist from his (free) notes on homotopy.
January 30, 2012
visualisation of how the kernel trick makes a non-separable collection of points linearly separable.
I guess the kernel mappings really add a dimension, rather than replacing a dimension, don’t they.
January 29, 2012
Bob Kenny says [great wealth] isn’t always worthy of envy, and is certainly not worth sacrificing one’s life to attain. “If … people … know that getting the $20 million or $200 million won’t necessarily bring them all that they’d hoped for, then maybe they’d concentrate instead on things that would make the world a better place and could help to make them truly happy,” Kenny says. “Don’t work too hard for money, because it isn’t going to get you much if you ignore everything else.”…
[M]oney may ease some worries, but others always remain. “Nobody has the excuse of ‘lack of money’ for not being at peace and living in integrity,” writes one [super-wealthy] survey respondent of his family, with a touch of bitterness. “If they choose to live otherwise, that’s their business.”
If anything, the rich stare into the abyss a bit more starkly than the rest of us. We can always indulge in the thought that a little more money would make our lives happier—and in many cases it’s true. But…. When the rich man takes his last sip of Château d’Yquem 1959, he tips back the wineglass to find at its bottom an unforeseen melancholy. Like Leontes in The Winter’s Tale, he notes in horror, “I have drunk, and seen the spider.
Graeme West, Secret Fears of the Super-Rich
January 28, 2012
Death Cream by Sonny & the Sunsets
January 27, 2012
Public art works by Katie Sokoler.
January 26, 2012
“They don’t have money for a gym membership. They don’t have money for a 24-hour gym pass. This is a ghetto pass. They work out in the ‘hood. A lot of these guys are creative, because they’ve been incarcerated. They know how to work out with [whatever’s around]. And you know, these guys are just as toned, just as ripped. They look better than some of the cats at any fitness club around the world.”
January 26, 2012
Circled #4, oil transfer drawing, 44×30, Glovaski 2009
via planetaryfolklore, oieouio, glovaskicom